Colin Farrell

Colin James Farrell is an Irish actor, who has appeared in several high-profile Hollywood films including Tigerland, Daredevil, Miami Vice, Minority Report, Phone Booth, Alexander and S.W.A.T. Farrell appeared in the title role of Alexander the Great in Oliver Stone's 2004 biopic Alexander, which, while receiving some favorable reviews internationally, received mostly mediocre and negative reviews in the United States. It was marked by controversy for portraying the ancient conqueror as bisexual, and received criticism from some historians for its portrayal of the ancient Persians, though others praised it for its accuracy in these regards as well. The movie grossed a total of $167 million worldwide, despite its poor showing within the United States, just exceeding its budget of $155 million. Farrell as Alexander the Great in Alexander (2004)His next film was 2005's Academy Award-nominated The New World, also a historical epic that was met with mixed reviews. Farrell played the leading role of captain John Smith, the founder of 17th century colonial Jamestown, Virginia who falls in love with a beautiful Native American princess, Pocahontas, played by Q'Orianka Kilcher. The film achieved success, despite being released in only 811 theaters worldwide and having a relatively low box office gross. The New World was followed by Ask the Dust, a romance film set in period Los Angeles and co-starring Salma Hayek. It received a very limited theatrical release and was not a financial success. 2006 brought more success in Farrell's career, as he appeared opposite Jamie Foxx in Michael Mann's action-crime film Miami Vice. The film was a box office success grossing a total of US $164 million worldwide. Farrell was next seen in Woody Allen's Cassandra's Dream, which premiered in 2007 and was distributed in the U.S. in early 2008. Farrell's next film, Martin McDonagh's In Bruges, opened the Sundance Film Festival in 2008. Shortly thereafter he appeared Kicking It, a documentary following six homeless men from different countries as they attempt to qualify for the Homeless World Cup. Farrell appeared on screen and provided narration. The film released simultaneously in theaters and television, airing on ESPN2 with a very short window to DVD release. Farrell received positive press for his involvement in the heartwarming true-life tale, and enthusiastic reviews for the two dramatic roles that preceded it.

Infomercial Format

Infomercials are long-format television commercials, typically five minutes or longer. The distribution of Infomercials is via paid programming. This phenomenon started in the United States where infomercials typically shown overnight --outside of peak hours. Some television stations chose to air infomercials as an alternative to the former practice of sign-off. By 2009, most US infomercial spending is during early morning, daytime, and evening hours. Stations in most countries around the world have instituted similar media structures. Over $150 billion of consumer products in the U.S. sold through infomercials. Infomercial is sometimes misapplied and used to refer to direct response television advertisements of 60 to 120 seconds in length. However, the term describes program length advertisements. In the US, they are typically 28 minutes and 30 seconds in length. In the US, DRTV advertisements of 30 seconds to 2 minutes in length are typically called "short form" or "DRTV spots" and are not included in the advertising industry's use of the term "infomercial". Note that in the US market, a small amount of media can be purchased for 5 minutes length advertisements, although this time is quite limited. Outside of the US market, lengths depend on the lengths allowed by television stations and government regulators. Infomercial was originally applied only to television advertising; it is now sometimes used to refer to any presentation with a significant amount of information in an actual, or perceived, attempt to persuade to a point of view. When used this way, the term may be meant to carry an implication that the party making the communication is exaggerating truths or hiding important facts. Often, it is unclear whether the actual presentation fits this definition because the term is used in an attempt to dis-credit the presentation. In this way, political speeches may be derogatorily referred to as "infomercials" for a specific point of view.